佩加·阿漢加拉尼 Pegah Ahangarani

捷克共和國 Czech Republic / 2023 / 20 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

在強烈有力的音效配樂襯托下，導演佩加·阿漢加拉尼運用照片、影像與自身童年的鮮明回憶，喚起伊朗革命的集體記憶。

To the accompaniment of a powerful sound score, filmmaker Pegah Ahangarani uses photographs, videos, and vivid recollections from her own childhood to evoke a collective memory of the Iranian revolution.

【導演簡介｜DIRECTOR PROFILE】

佩加·阿漢加拉尼（1984年7月24日生）是一位伊朗女演員與導演。她曾獲得多項殊榮，包括水晶鳳凰獎、哈菲茲獎以及伊朗影評人與作家協會獎。佩加在就讀藝術音樂學院後，中斷音樂學習，專注於表演，同時也累積了導演、製片以及紀錄片製作的經驗。

Pegah Ahangarani (born 24 July 1984) is an Iranian actress and director. She has received various accolades, including a Crystal Simorgh, a Hafez Award and an Iran's Film Critics and Writers Association Award. While Pegah left her studies in music after attending an art conservatory and focused on acting, she has also gained experience in directing, producing, and documentary filmmaking.

卡特里娜·蕾希斯邁 Katrina Lehismäe

愛沙尼亞 Estonia / 2024 / 31 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

在得知祖父過世後，紀錄片導演卡特里娜·蕾希斯邁與家人於隆冬時節，穿越冰封的愛沙尼亞，駕車前往祖父生前居住的小鎮，處理後事，並逐步面對各自的哀傷。

After learning of the death of her grandfather, documentary director Katrina Lehismäe and her family take a road trip across a frozen Estonia in the middle of winter to the small town where he lived to take care of his affairs and start to come to terms with their own grief.

【導演簡介｜DIRECTOR PROFILE】

卡特里娜·蕾希斯邁是一位現居倫敦的愛沙尼亞紀錄片導演。她主要擔任英國電視紀錄片導演，作品聚焦於社會議題與人物導向敘事。《告別》是她的首部紀錄短片，於被業界列為頂級的塔林黑夜電影節獲得觀眾票選獎。

Katrina Lehismäe is an Estonian documentary filmmaker based in London. She has worked mainly as a director for British television documentaries, focusing on socially engaged and character-driven storytelling. The Passing is her first short documentary, winning the Audience Award at the A-category Black Nights Film Festival in Tallinn.

許慧如 Hsu Hui-Ju

台灣 Taiwan / 2025 / 40 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

外婆去世之後，透過從前所記錄的聲音和影像持續與外婆對話，回溯一代又一代母女之間柔和緻密、卻又苦澀難以言喻的情感，在現實日常與回憶的虛擬場景之間穿梭，一步步挖掘家庭的傷痕、歷史的傷痕......

After her grandmother's passing, the filmmaker continues to converse with her through recorded sounds and images. This journey retraces the tender yet complex emotions shared across generations of mothers and daughters—feelings that are both delicate and difficult to articulate. Moving between the reality of daily life and the virtual space of memory, the film gradually uncovers the wounds of this family and the scars of history...

【導演簡介｜DIRECTOR PROFILE】

許慧如為紀錄片影像工作者，作品關注女性生命故事，透過家庭關係思考存在的意義，曾入圍日本山形、瑞士真實、英國雪菲爾等國際重要影展。近年持續創作，其影片透過虛實交錯的敘事結構探究紀錄片的更多可能，獲得金馬電影節最佳紀錄短片獎，與女性影展等入圍的肯定。

Hsu Hui-Ju is a documentary filmmaker who focuses on women's life stories, exploring the meaning of existence through the lens of family relationships. Her films have been selected for major international festivals, including YIDFF, Visions du Réel, and Sheffield DocFest. In recent years, she has continued to experiment with hybrid narrative structures that blur the line between reality and fiction. This film has won Best Documentary Short at the Golden Horse Award and others received nominations of various women's film festivals.

高俊宏 Kao Jun-Honn

台灣 Taiwan / 2025 / 9 min / 無字幕 Non-Subtitles / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

本片透過仿製日本「理蕃」戰爭中的七糎山砲，並且邀請泰雅族年輕人，重返1906年日本警察部隊砲擊泰雅族的山野，並且對著遙遠的飯店，也就是昔日被日本人佔領的部落位置射擊。本片以略帶遊戲與反諷的方式進行，反轉殖民者的侵略行動，同時也開展藝術行動的可能性。

The film replicates one of the 7cm Mountain Gun which were used during Japan's 'Pacification' campaign against Indigenous peoples. During this trip, Kao invites Atayal youth to return to the original mountain location shelled by Japanese police in 1906. They fire towards a distant hotel, now located on the site of a village once occupied by the Japanese. With a tone of playfulness and irony, the film subverts colonial aggression while exploring the possibilities of artistic action.

【導演簡介｜DIRECTOR PROFILE】

高俊宏身為藝術創作者，也是高雄師範大學跨藝所副教授。創作媒介以計畫性創作、身體、錄像、非虛構書寫為主。其作品長期關注歷史、空間、生命政治、新自由主義、東亞、原民等議題。

Kao Jun-Honn is a creator and Associate Professor at the Graduate Institute of Transdisciplinary Arts, National Kaohsiung Normal University. His practice is project-based, with a focus on the body, video, and non-fiction writing. His work has long engaged with history, space, biopolitics, neoliberalism, East Asia, and Indigenous issues.

奧斯特·烏爾班納維丘特 Austė Urbanavičiūtė

立陶宛 Lithuania / 2024 / 17 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

年輕人講述他們艱難的童年經歷，但父母拍攝的照片卻展示了幸福的家庭時光。

Young adults speak about their difficult childhood experiences, while images captured by parents show happy family moments

【導演簡介｜DIRECTOR PROFILE】

奧斯特·烏爾班納維丘特是一位常駐立陶宛維爾紐斯的電影導演與藝術家。她擁有電影導演學士學位，並曾於柏林的大都會電影學院以及里加的BAL電影學院學習實驗電影，專注於類比影片創作。她的短片《親愛的父親》（2024）曾獲銀鶴獎提名，並於維爾紐斯短片影展中獲獎。奧斯特致力於青少年的電影教育，也參與多項國際電影製作合作，同時持續探索新的電影形式。

Austė Urbanavičiūtė is a filmmaker and an artist based in Vilnius, Lithuania. She holds BA in Film Directing and has studied experimental film at MetFilm School Berlin and BAL Film School in Riga, where she focused on analog filmmaking. Her short film Dear Dad (2024) was nominated for the Silver Crane and awarded at the Vilnius Short Film Festival. Austė works with teenagers in film education, collaborates on international film productions and continues to explore new film forms.

賈尼斯·阿貝爾 Jānis Ābele

拉脫維亞 Latvia / 2022 / 14 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

2021年春天一位影迷邀請觀眾踏上一段親密旅程，走訪拉脫維亞僅存的老電影院。這部以超八釐米拍攝的散文式紀錄影像，在實體電影院歷史上或許最艱難的時刻打開緊閉的大門。這些電影院雖未對外開放，但有時仍能感覺到它們依然活著。

Spring, 2021. A cinephile invites you on an intimate trip through the last surviving cinema houses in Latvia. This documentary essay shot on super 8mm opens the locked doors to the cinema houses during perhaps the most difficult time in the history of physical cinema space. They are closed for public but sometimes we can feel they are alive.

【導演簡介｜DIRECTOR PROFILE】

賈尼斯·阿貝爾最廣為人知的作品為《葉爾加瓦94》（2019），該片是首部在Netflix上架的拉脫維亞劇情長片，並榮獲四項拉脫維亞國家電影獎，包括最佳導演獎。2022年他完成首部散文式紀錄短片《81公尺》，於多個影展放映，並獲得國家電影獎最佳紀錄短片。2025年秋季，他的首部紀錄長片《最後的遺囑》於里加國際影展首映，並入選塔林黑夜電影節競賽單元。

Jānis Ābele is best known for Jelgava '94 (2019), the first-ever Latvian fiction feature to stream on Netflix. The film also earned 4 National Film Awards, including Best Director. In 2022 the director made his first essay-style doc-short 81 Meters (2022), which screened at numerous festivals and won the National Film Award for Best Short Documentary. In autumn 2025, he premiered his first feature-length documentary, The Last Will, at Riga IFF and in the Tallinn Black Nights competition programs.

Tommaso Muzzi 多木子

台灣 Taiwan / 2023 / 81 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

「如果沒有了那些山中的競逐和伏擊；沒有了那些射出的箭和流淌的鮮血，構築文明生活的一切都將不復存在。」－《Ndaan Mpmaduk 入山》以微觀的角度，凝視著人類世界的縮影。故事中的太魯閣族人遵循著祖先的狩獵文化，在部落傳統和現代文明交織的脈絡下與山林土地、動物及神靈共處。這個邊緣群體裡的互動關係，反映了一種社會化的現實與衝突，彷彿是人類文明在演進過程中的縮影。

This is a story about individuals from small, geographically marginal communities who maintain contact with wild nature. It shows how they honor their ancestral hunting culture while reinventing it and reinterpreting it.

【導演簡介｜DIRECTOR PROFILE】

1981年生於義大利。2007年畢業於義大利佩魯賈大學傳播科學系，主修紀錄片製作，執導探討精神疾苦的紀錄片《歡迎無名先生》。多木子2009年赴馬德里進修數位電影與新媒體碩士。2014年完成電影《Stileliberty 自由風格》。2015年起定居台灣，專注於拍攝台灣東海岸文化活動相關的紀錄片。

Tommaso Muzzi (b. 1981, Italy) graduated in Communication Sciences from the University of Perugia in 2007, focusing on documentary filmmaking. He later studied experimental cinematography in Madrid. Since 2008, Muzzi has directed various short films exploring themes such as generational mobility, mental illness, and traditional cultures globally. In 2015, he relocated to Taiwan, where he continues his career focusing on documentaries about the island's east coast culture.

林羿綺 Lin Yi-Chi

台灣 Taiwan / 2025 / 20 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

兩位美軍遺留在臺灣的混血兒，一人說客語，一人說台語，在廢棄的美軍宿舍中，緩緩說出語言與臉孔無法安置的身世。他們的記憶，如幽靈般在歷史邊界中游移，沈默與斷裂化為一場詩性的凝視。這部作品以雙頻道與催眠式敘事，抵抗觀看與語言的單一結構，召喚那些被歷史壓抑的聲音與身體。

Two mixed-race children of the U.S. military in Taiwan, one speaking Hakka, the other Taiwanese. In the ruins of a former military dormitory, they speak slowly, uncovering a history their faces and languages could never fully inhabit. Their memories move like ghosts along the edges of history, where silence and fracture become a form of poetic gaze. Through a dual-channel, hypnotic narrative, the work resists fixed ways of seeing and speaking, and gives voice and form to bodies long silenced.

【導演簡介｜DIRECTOR PROFILE】

林羿綺是藝術家、導演，及透島影業負責人，現就讀於國立臺北藝術大學美術學系博士班。創作以錄像藝術、實驗電影與影像裝置為主，關注亞洲地緣政治中族群離散、記憶與歷史重構的可能性。透過田野調查與夢境採集，發展具召喚與實驗性的影像語言。作品曾參與多項國際影展與藝術展演，體現對邊緣敘事與感知經驗的探問。

Lin Yi-Chi is an artist and filmmaker, founder of Toisland Project Films, and Ph.D. candidate in Fine Arts at Taipei National University of the Arts. Her practice spans video art, experimental cinema, and moving-image installations, focusing on diasporic identity, memory, and historical reconstruction within Asian geopolitics. Through fieldwork and the collection of dreams, she crafts an evocative visual language. Her works have screened internationally, exploring marginal narratives and sensory experience.

瑪麗亞·潘科娃 Maria Pankova

英國（蘇格蘭） UK (Scotland) / 2023 / 17 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

由於烏克蘭戰爭的關係，尤莉婭成為逃往蘇格蘭的難民。她一邊為孩子們的未來奮鬥，一邊努力維繫與身處前線的丈夫之間的感情。

Yuliia has become a refugee in Scotland due to the war in Ukraine. She is fighting for the future of her children while trying to maintain her relationship with her husband, who is on the frontline.

【導演簡介｜DIRECTOR PROFILE】

瑪麗亞出生於烏克蘭基輔。2019年起，她以紀錄片攝影師身分投入創作。2020年完成首部長片紀錄片《白象》。2022年冬季因烏克蘭戰爭爆發，她成為難民而遷居蘇格蘭，跟著在當地拍攝《風之聲》，該片於愛丁堡國際影展首映。隨著戰爭爆發，瑪麗亞亦根據自身經歷製作紀錄片《呼吸》，於多處國際影展獲得獎項肯定。

Maria was born in in Kyiv, Ukraine. Since 2019, she has been working as a documentary cinematographer. In 2020, she created a full-length documentary film titled White Elephant. In the winter of 2022, due to the war in Ukraine, she became a refugee and relocated to Scotland where she made The Sound of the Wind. The film premiered at the Edinburgh Film Festival. With the onset of the war, Maria also produced a documentary film based on personal experiences titled 'Breathing'. The film received numerous awards at international film festivals.

雷歐納多·馬蒂內利 Leonardo Martinelli

巴西 Brazil / 2021 / 20 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一位送貨員夢想擁有一輛摩托車。有人告訴他，有了摩托車後，一切都變得像歌舞電影一樣精彩。

A delivery man dreams of having a motorcycle. He was told that everything would be like a musical film.

【導演簡介｜DIRECTOR PROFILE】

雷歐納多·馬蒂內利是來自里約熱內盧的電影人，他的作品《霓虹幽靈》在盧卡諾影展獲得國際短片最佳金豹獎。他的短片曾入選世界各地的影展，包括坎城、盧卡諾、多倫多、聖塞巴斯蒂安、英國電影協會倫敦影展、克萊蒙費朗、棕櫚泉、蒙特婁、比亞里茲、圖盧茲等。雷歐納多也擁擁有里約天主教大學的傳播學碩士學位，目前正開發他的第一部劇情長片，該計畫已入選盧卡諾駐村計畫及休伯特·巴爾斯基金。

​Leonardo Martinelli is a filmmaker from Rio de Janeiro. His film Fantasma Neon won the Golden Leopard for Best International Short Film at the Locarno Film Festival. His shorts have been selected at festivals worldwide, including Cannes, Locarno, Toronto, San Sebastián, BFI London, Clermont-Ferrand, Palm Springs, Montreal, Biarritz, Toulouse and others. He also holds a Master's degree in Communication from PUC-Rio and is currently developing his first feature film, which was selected for the Locarno Residency and the Hubert Bals Fund.​

西蒙·雅克梅 Simon Jaquemet

瑞士、德國、荷蘭、菲律賓 Switzerland, Germany, Netherlands, Philippines / 2024 / 119 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

一名父親為了拯救剛出生的兒子，不惜越過道德界線，在工作中擅自挪用並重組一套高階、具超級運算能力的人工智慧模擬系統，從而踏入極度危險而未知的領域。

A father's desperate attempt to help his newborn son goes far outside moral norms and into dangerously uncharted territory when he appropriates and reengineers a high-level, superpower AI simulation at his work.

【導演簡介｜DIRECTOR PROFILE】

西蒙·雅克梅的首部劇情長片《戰爭》2014年在聖賽巴斯蒂安國際影展新導演單元首映，並於馬拉喀什影展獲得評審團獎與最佳男演員等多項肯定。第二部長片《無辜者》於2018年在多倫多國際影展平台單元世界首映，隨後於聖賽巴斯蒂安國際影展正式競賽單元進行歐洲首映，並獲得包括瑞士電影獎最佳女主角在內的多項獎項。西蒙為蘇黎世電影製作公司8Horses的共同創辦人與合夥人，近期也推出Web3與電影結合的計畫「電力電影」。

Simon Jaquemet's first feature, War (Chrieg) premiered at San Sebastián New Directors (2014) and went on to win numerous accolades including the Jury Prize and Best Actor at Marrakech Film Festival. His second feature The Innocent (Der Unschuldige) had its World Premiere in Toronto International Film Festival's Platform competition (2018), followed by a European Premiere in San Sebastián's Official Selection. It won several awards including the Swiss Film Award for Best Leading Actress. Simon is a co-founder and co-owner of the Zurich-based film production company 8horses. He recently launched the web3 / film3 project Electric.Film.

茉爾甘·弗倫德 Morgane Frund

瑞士 Switzerland / 2022 / 19 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

一名多年拍攝熊的業餘影像創作者聯絡電影學校，希望有人能將他的影像剪輯成一部電影。一名學生主動接下工作，卻在數位化其影像檔案時發現，這些紀錄不僅僅是關於熊。隨之展開一場關於凝視的權力，以及其所蘊含之偷窺式暴力的討論。

An amateur filmmaker who has filmed bears for years, contacts a film school looking for someone to edit his images into a film. A student comes forward. But when she digitizes his archive, she discovers that the recordings are not only of bears. A discussion ensues about the power of a gaze and its voyeuristic violence.

【導演簡介｜DIRECTOR PROFILE】

茉爾甘·弗倫德1997年出生於瑞士洛桑，曾於洛桑大學修習電影研究、英語與德語。2019至2022年就讀盧塞恩應用科學與藝術大學設計與藝術系，並取得學士學位。《我們與熊之間》（2022）為其畢業作品，曾於多個國際影展放映並獲得多項獎項。《出乎意料》（2023）入選溫特圖爾國際短片影展競賽單元，並獲評審特別提及。她特別喜愛紀錄片、散文式影片與表演藝術等領域。

Morgane Frund born in 1997 in Lausanne, Switzerland. Studied Film Studies, English and German at UNIL (University of Lausanne). From 2019-22 she studies Video at HSLU (Hochschule Luzern, Design & Kunst), graduating with a Bachelor's degree. BEAR (2022) was her graduation film and screened in numerous festivals and won several prizes. OUT OF THE BLUE (2023) premiered in competition at the Internationale Kurzfilmtage Winterthur and received a Special Mention. She is active in the fields of documentary film, video essay and performance arts.

托荷·康馬雷 Tohé Commaret

法國 France / 2025 / 13 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

蘿拉深陷於一段與著名饒舌歌手非常不愉快的關係中。在一次激烈的爭吵後，她的現實開始扭曲，在熟悉與怪誕、日常與幻覺之間搖擺不定。

Laura is trapped in a toxic relationship with a famous rapper. After a violent argument, her reality starts to warp, straddling the line between the familiar and the distorted, the everyday and the hallucinatory.

【導演簡介｜DIRECTOR PROFILE】

托荷·康馬雷是一位法籍智利裔導演與情慾舞者，出生於法國維特里。她曾就讀巴黎美術學院，之後於勒弗雷的法國國家當代藝術工作室深造，勒弗雷努瓦深造。她的電影創作橫跨實驗電影與紀錄片，探索親密性與社會議題交會的視覺與敘事領域。透過詩意而具批判性的創作手法，托荷試圖重新定義電影形式，並在當代語境中審視藝術、政治與社會之間的關係。

Tohé Commaret is a Franco-Chilean director and erotic dancer, born in Vitry-sur-Seine (France). She was trained at the Beaux-Arts de Paris and later at Le Fresnoy – Studio National des Arts Contemporains. Her cinematic work spans experimental cinema and documentary, exploring visual and narrative territories where intimacy and social issues intersect. With a poetic yet engaged approach, Tohé seeks to redefine cinematic forms and examine the relationship between art, politics, and society in the contemporary world.

瑪麗-斯特芬·伊姆貝爾 Marie-Stéphane Imbert

法國 France / 2025 / 26 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

在蒙古布爾干省白雪皚皚的冬季山區，當男女主人照顧牲畜時，狼群正徘徊於周圍，於是狩獵開始了。

Winter. In the snow-covered mountains of Bulgan, Mongolia, men and women are tending their animals. Around them, wolves are on the prowl. A hunt begins.

【導演簡介｜DIRECTOR PROFILE】

瑪麗-斯特芬·伊姆貝爾現居法國馬賽。除了當編劇，她還執導電影，靈感源自於她在旅行中遇到的各種經歷。她最近一次的旅行是到蒙古，其首部紀錄片《天空中的每一隻鳥》便是由此而來。

Marie-Stéphane Imbert is based in Marseille, France. Alongside her work as a screenwriter, she directs films inspired by encounters she makes in life, during her travels. Her most recent trip took her all the way to Mongolia. The result is her first documentary film, For every bird in the sky.

維奧蕾·吉頓 Violette Gitton

法國 France / 2024 / 18 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

塞薩爾12歲時，他的姊姊露遭到性侵。在他參加的擊劍課的更衣室裡，一切都以暴力為衡量標準。塞薩爾想參與每一場搏鬥，但身邊卻沒有武器。

César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.

【導演簡介｜DIRECTOR PROFILE】

在布列塔尼家鄉透過自製企畫與地方協會接觸電影後，維奧蕾·吉頓搬到巴黎，與大八電影製作公司合作執導《更衣室》。她也運用自己作為營隊活動動畫師與負責人的經驗，並熱愛兼職從事兒童表演指導的工作，與創作並行。目前，維奧蕾正在為Arte Radio開發一部聲音紀錄片，同時構思她的首部長片作品。

After discovering cinema through self- produced projects and associations in her native region Brittany, Violette Gitton moved to Paris to direct Changing Rooms with the Films Grand Huit production company. Drawing on her experience as an animator and director of holiday camps, she is also passionate about her job as a children’s coach, which she pursues alongside her writing. Violette is currently developing a sound documentary for Arte Radio and is thinking about her first feature film.

愛諾·孔蒂寧 Aino Kontinen

芬蘭 Finland / 2022 / 5 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一名年輕女子因外牆整修被困在公寓內。在重建住所與自我認同的過程中，她寫下一封信給摯愛之人。

Facade renovation locks a young woman inside her apartment. During the reconstruction of her home and herself she writes a letter to her loved one.

【導演簡介｜DIRECTOR PROFILE】

愛諾·孔蒂寧是一位芬蘭藝術家，創作橫跨影像藝術與詩歌。她透過極簡的美學風格、細膩的戲劇結構與紀錄片觀點，致力於創作多層次聚焦於身體視角與物質性的作品。《致我的愛》是她的首部短片。

Aino Kontinen is a Finnish artist working in the intersections of lens-based art and poetry. Through minimalistic aesthetics, careful dramaturgic work and documentary notions she thrives to create multi-layered works that concentrate on bodily perspectives and materialities. To My Love is her debut short film.

巴茲爾·達·庫尼亞 Basil da Cunha

葡萄牙、瑞士 Portugal, Switzerland / 2023 / 25 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

里斯本某個貧困地下社區遭遇警方暴力突襲後，一名七歲女孩尋找她失蹤的哥哥。同時，一名剛獲釋的年輕前科犯試圖擺脫犯罪生活，重新開始新的人生。這兩人的命運將以最糟糕的方式交織在一起。

After a violent police raid in a poor clandestine neighbourhood in Lisbon, a 7-year-old girl seeks to find her missing older brother. At the same time, a young newly released ex-convict tries to start anew, free from a life of crime. The fate of these two will cross in the worst way.

【導演簡介｜DIRECTOR PROFILE】

瑞士籍葡萄牙裔導演巴茲爾·達·庫尼亞出生於1985年。除研讀政治學與社會學，他也自行製作多部短片，之後與人共創 Thera Production。2009年起，他在日內瓦藝術設計大學接受電影訓練。就讀第一年巴茲爾完成短片《旁邊》，入圍2010年瑞士電影節，並於葡萄牙維拉杜孔德國際短片影展獲獎。其後他拍攝《翻車魚》，在2011年坎城影展「導演雙週」單元放映，接著完成《活著的都在哭泣》，並於2012年再次獲選入影展。

Swiss director of Portuguese origin, Basil da Cunha was born in 1985. Alongside studies in political science and sociology, he made self-produced short films before co-founding Thera Production. In 2009 he began film training at the Head University in Geneva. In his first year, Basil made “A Côté”, nominated for the Prix du Cinéma Suisse 2010 and awarded at Curtas Vila do Conde. He then filmed “Sunfish”, presented at the Quinzaine des Réalisateurs 2011, and “Os Vivos Também Choram”, selected again in 2012.

莫娜·傑利奇 Mona Jelic

瑞士 Switzerland / 2024 / 8 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

隨著歐盟對綠能的雄心與能源自主的渴望日益高漲，塞爾維亞的一個鄉村社區成為了歐洲電力未來的政治戰場，該地預計將造就歐洲最巨大鋰礦之一的計畫，引發了強烈的全國性反抗。

As the EU's green energy ambitions and wish for independency rise, a rural Serbian community becomes a political battleground for Europe's electric future. Plans for a massive lithium mine (poised to be one of the continent's largest) ignite fierce national resistance.

【導演簡介｜DIRECTOR PROFILE】

莫娜·傑利奇是一位民族學家，專門研究傳統文化及它在現代世界的適應能力。她在貝爾格萊德大學學習民族學，之後在蘇黎世獲得博士學位，研究方向為原住民社區的文化適應過程。《2毫米》是她的首部短紀錄片。

Mona Jelic is an ethnologist who specializes in traditional cultures and their adaptations in the modern world. After studying ethnology at the University of Belgrade, she completed her doctorate in Zurich on cultural adaptation processes in indigenous communities. 2mm is her first short documentary.

維薩姆·沙洛夫 Wissam Charaf

法國、黎巴嫩 France, Lebanon / 2023 / 20 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

在黎巴嫩貝魯特的海濱建築工地上，保全人員雷德的任務是阻止路過的行人靠近海邊。然而，隨著地平線逐日被工程吞噬，雷德開始遇見一些奇異的身影，這只是夢境？或是他內心渴望的象徵？

Beirut, Lebanon. On the waterfront's construction site, security agent Raed must prevent passing-by walkers from accessing the seaside. Yet, as the horizon becomes each day more stifled by the construction, Raed makes peculiar encounters — mere dreams, or symbols of his desires?

【導演簡介｜DIRECTOR PROFILE】

維薩姆·沙洛夫，1973年生於貝魯特，曾執導七部短片，其中《一位朋友的難忘回憶》於2019年克萊蒙費朗影展獲獎。他的首部長片《天賜》在2016年康城影展的ACID單元入選。第二部長片《骯髒、困難、危險》於2022年威尼斯影展獲得歐典影城獎，2023年棕櫚泉影展再獲殊榮。維薩姆最新的短片《從天而降》在2024年9月入選威尼斯影展地平線單元，並剛在克萊蒙費朗影展獲得國家評審團特別獎。

Born in Beirut in 1973, Wissam Charaf has directed 7 short films including Unforgettable Memory Of A Friend, awarded at the Clermont-Ferrand festival 2019. His first feature film, Heaven Sent was selected at ACID during the Cannes Film Festival 2016. His second feature, Dirty Difficult Dangerous won the Europa Cinema at the 2022 Venice Film Festival before being awarded at the 2023 Palm Springs Film Festival. His latest short film, If The Sun Drowned Into An Ocean Of Clouds, has just won the Special Prize of the National Jury in Clermont Ferrand after being selected at Orizzonti – Venice in September, 2024.

黃明川 Huang Mingchuan

台灣 Taiwan / 2024 / 76 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

藉諸多被忽略的細節來觀察城市，重構當代台灣城市地板的意涵，《愛上地板》拍攝範圍擴及六大都會和嘉義市，檢視共通特徵，因此有縱觀台灣城市風貌的未來性，也指出政治人物的美學修為與行政操作諸多延伸性的諭示。《愛》片具有城市美學、景觀設計及市府政策思維，聚焦政府與大眾偏於忽略的都會開放空間，尤其地板，如人行道、馬路與看板等市民共享的場域，觸及公共性、市府政策態度、官員美學傾向相關的多項議題。

"Ground Me More" focuses the ignored details of main roads, sidewalks, ground objects, and billboards of major cities across Taiwan to seek commonalities, differences, and trends. Thus, the current state of aesthetics of Taiwanese and the politician policies could be revealed.

【導演簡介｜DIRECTOR PROFILE】

黃明川自1989年倡導獨立製片起，完成三部劇情長片《西部來的人》、《寶島大夢》及《破輪胎》，奪夏威夷、新加坡、台北影展、金馬獎多項大獎。2003年《解放前衛》紀錄片系列獲頒台新基金會首屆「視覺藝術獎」首獎；2018年《肉身搏天》榮膺英國南罕普頓國際影展最佳紀錄片。他也拍攝多部文學影片，2021年推出亞洲16位女詩人的《波濤最深處》。2014年在台灣嘉義市創辦亞洲第一個「國際藝術紀錄影展」。

Huang Mingchuan's first fictional film "Man from Island West" claimed an Excellent Cinematography Award in Hawaii and Silver Screen Award in Singapore. Thereafter he made two more features. As a documentary director, Huang also produced made numerous videos on art and literature related subjects. His most renowned TV project "Avant-Garde Liberation" won the first Taishin Bank Arts Award's Visual Arts Prize in 2003. And "Chin Chih Yang - Face the Earth" received the Best Documentary Award from 2018 Southampton International Film Festival.

周晏旭 Chou Yen-Hsu

台灣 Taiwan / 2022 / 3 min / 無字幕 Non-Subtitles / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

「雪人，我們有莎士比亞。」——波蘭詩人辛波絲卡的詩句，如文明對野性的呼喚，深深觸動了我。《喚鳥者》源於童年對鳥的想像，探問生物與人類空間的界限，並融入荒誕元素。我穿上迷彩偽裝衣，在倫敦聖詹姆士公園演奏大提琴，化身似人非人的神秘生物。鴿群隨身體擺動而聚散，展開一場關於親近與疏離、節奏與平衡的詩意行動。

"Yeti, we've got Shakespeare there."— Wisława Szymborska. This sentence feels like a call of human civilization toward the wild, and it deeply moved me. Summoner of Birds stems from my childhood imaginings, exploring the boundaries between humans and other creatures, merging these images with elements of the absurd. Wearing a Ghillie suit, I perform cello in St James's Park, London, embodying a quasi-human being. Pigeons gather and disperse with my movements, creating a subtle rhythm and poetic interaction.

【導演簡介｜DIRECTOR PROFILE】

出生於台灣的藝術家周晏旭，2023年獲倫敦藝術大學美術碩士學位，現就讀於牛津大學，作品曾於蘇格蘭皇家學院、威尼斯軍械庫展出。他的創作涵蓋雕塑、裝置、錄像與繪畫，以幽默與詩意探討人類在不同環境中的生存狀態。脫離古典音樂傳統舞台與觀眾，他將音樂帶往不屬於它的場域，在街頭、森林與廢墟演奏大提琴，飄忽的琴聲映照人性起伏與情感。其作品結合真實自然與虛構生態，在現實與想像間建構個人的避難所與療癒空間。

Yen-Hsu Chou is a Taiwanese visual artist, MA in Fine Art (University of the Arts London, 2023), now studying at University of Oxford. His work has been shown at the Royal Scottish Academy and Venice's Arsenale Nord. Working across sculpture, installation, video, and painting, he explores survival with humor and poetry. Departing from classical music's stage, Chou brings cello to streets, forests, and ruins, its erratic sounds reflecting human emotion. His art fuses nature and imagined ecologies, creating refuges and healing spaces.

史賓塞·麥當勞 Spencer MacDonald

美國、波蘭、瑞士 USA, Poland, Switzerland / 2024 / 15 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一位名叫「詹姆斯」的年輕人選擇自我隔離，專注於探索微生物的隱秘世界。他與這些幾乎不可見的生物建立了深厚的情感聯繫，並在網路上累積出龐大的粉絲群。透過這段旅程，他試圖理解自己在宇宙中的位置，並逐步學會面對與接納過去的傷痛。這部電影以詹姆斯的Instagram貼文為藍本創作劇本，並由詹姆斯本人親自出演。

A self-isolated young human known as "James" delves into the hidden world of microscopic organisms, forging a tender connection with these nearly invisible creatures and developing a massive online following, as he seeks to understand his own place in the cosmos and accept the scars of his past. A film made in collaboration with James, with a screenplay adapted from the verbatim Instagram posts of James, starring James as James.

【導演簡介｜DIRECTOR PROFILE】

史賓塞·麥當勞是一位常駐柏林的導演，他的作品融合紀錄片與虛構元素，探索人類故事與自然環境之間微妙而神秘的交織。其短片處女作《猩紅美杜莎》以一種可能永生的水母為題材，曾入選棕櫚泉短片節、亞特蘭大電影節等影展放映。後續作品《生命之軀》在全球超過35個影展展映，並獲得多項榮譽，同時取得2025年奧斯卡金像獎的競爭資格。史賓塞目前正投入創作首部長片《旅客》。

Spencer MacDonald is a Berlin-based director whose work blends documentary and fiction to explore the strange overlap of human stories and environmental mysteries. His debut short, Scarlet Medusa—about a jellyfish that may live forever—screened at festivals including Palm Springs ShortFest and the Atlanta Film Festival. His follow-up, A Body Called Life, has screened at over 35 festivals, earned multiple honors, and qualified for the 2025 Academy Awards. Spencer is currently developing his first feature, Passengers.

寧文 Ning Wen

台灣 Taiwan / 2025 / 14 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

《成人日記》以一個「非人」如何「成人」與「成為人」的日記作為創作起點，一系列介於靜態與動態間的自我肖像影像交給AI分析與解讀，逐步生成九種身份。影片帶有V8錄影帶質感並結合360攝影的鏡頭視覺語言，從哲學辯證的思想墮胎師，到操弄流量與慾望的性別設計師，再到自稱「鏈上寵物溝通師」的情感翻譯官。藉由身份轉換與區塊鏈概念，作品探索思想與肉身的邊界，並思考自我認同、性別政治與AI數位倫理。

Adult Diary explores how new media can shape gender and identity through nine virtual alter-egos. Starting from a diary of how a non-human becomes human, I created cinemagraphs of self-portraits and let one AI infer prompts, then passed them to another AI for expansion—like a back-and-forth game with the machine. The video, blending V8 camcorder texture and 360° language, unfolds in nine roles: a thought abortionist, a gender designer, a blockchain pet-communicator, and more. It reflects on identity, gender politics, and AI ethics beyond life and death.

【導演簡介｜DIRECTOR PROFILE】

寧文創作領域包含：現場藝術、虛擬實境、攝影、參與式藝術、加密藝術。最初以行為藝術擾動性階級與解構禁忌文本。近期則透過新媒體操演著不同身份，在超越肉身限制後，顯影出性別、身體、媒體間的關係。

Ning Wen's creative practice spans live art, virtual reality, photography, participatory art, and crypto art. His early works employed performance art to disrupt hierarchical structures and deconstruct taboo narratives. Recently, he is experimenting with new media to perform multiple identities, revealing the interplay between gender, the body, and media beyond the limitations of physical form.

林珮淳 Lin Pey-Chwen

台灣 Taiwan / 2023 / 4 min / 無字幕 Non-Subtitles

【影片簡介｜PRODUCTION NOTES】

影片一開始是「夏娃克隆」如達文西的「維特魯威人」形體站立在高塔上，背景則是一座古代的「巴別塔」圖。「夏娃克隆」逐漸轉變成藍色網格的身體，開始舞動肢體展現她的魅力，彷彿穿越歷史進入了當今的數位時代。巴別塔下方的藍色網格的城市跟隨著「夏娃克隆」舞動與操控而上下左右的翻轉，最後「夏娃克隆」一躍而下進入城市街道內，如鬼魂般到處穿梭與尋覓，最後再回到巴別塔的高處原點。

The film opens with "Eve Clone" in Da Vinci's Vitruvian Man pose atop a tower, with the "Tower of Babel" behind. She transforms into a blue wireframe and begins moving her limbs to display her allure, traversing history into the digital era. Below, a blue wireframe city shifts, flips, and rotates in response to "Eve Clone's" movements and control. Eventually, "Eve Clone" leaps downward into the city streets, wandering like a ghost, searching and drifting, before finally returning to her original position atop the tower.

【導演簡介｜DIRECTOR PROFILE】

林珮淳1959年出生於屏東縣，1996年獲國立澳大利亞沃隆岡大學藝術創作博士，曾任國立台灣藝術大學多媒體動畫藝術研究所教授兼所長、現任「林珮淳數位藝術實驗室」主持人。亞洲首位榮獲2019年義大利佛羅倫斯雙年展「新媒體藝術類」全球首獎，獲頒「羅倫佐奬章」最高榮譽。2022年獲選為“Tatler Asia” 亞洲最具影響力人物之一，並於2024年接受Tatler Taiwan「先峰女性」專訪之榮譽。

Born in Pingtung, Taiwan (1959), Lin Pey-Chwen earned a Doctorate of Creative Arts from the University of Wollongong in 1996. Formerly Professor and Director at National Taiwan University of Arts, she now leads the "Lin Pey-Chwen Digital Art Lab." In 2019, she won the First Prize in "New Media Art" at the Florence Biennale in Italy, In 2022, she was named one of Tatler Asia's "Most Influential People," and in 2024 was featured in Tatler Taiwan's "Pioneering Women" interview column.

林珮淳 Lin Pey-Chwen

台灣 Taiwan / 2024 / 5 min / 無字幕 Non-Subtitles / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

「萬湖會議」則是德國納粹官員聚集於「萬湖」所召開一場對猶太人終極命運的會議，作品以此命名乃指涉在不同年代與不同領域中具有權力的人物，正滔滔不絕表達自己的構想，內容雖不同，但最後他們都說出和「夏娃克隆」所講述的內容一様，表現他們的企圖與目標其實都是一致的。因此，作品指涉這些真實的人物就是「夏娃克隆」，是受人崇拜且具有666邪惡與迷誘人的「巴比倫大偶像」，他們向神誇耀且正盤算向人類施行終極計劃。

The "Wannsee Conference" recalls the Nazi meeting at Lake Wannsee deciding the Jews' fate. This work takes its title from that event to allude to powerful figures across eras who, though expressing different ideas, ultimately echo "Eve Clone," revealing shared ambitions. These figures are depicted as "Eve Clone," a Babylonian idol, revered yet marked by 666, combining evil and seduction, boasting before God while plotting ultimate schemes for humanity.

【導演簡介｜DIRECTOR PROFILE】

林珮淳1959年出生於屏東縣，1996年獲國立澳大利亞沃隆岡大學藝術創作博士，曾任國立台灣藝術大學多媒體動畫藝術研究所教授兼所長、現任「林珮淳數位藝術實驗室」主持人。亞洲首位榮獲2019年義大利佛羅倫斯雙年展「新媒體藝術類」全球首獎，獲頒「羅倫佐奬章」最高榮譽。2022年獲選為“Tatler Asia” 亞洲最具影響力人物之一，並於2024年接受Tatler Taiwan「先峰女性」專訪之榮譽。

Born in Pingtung, Taiwan (1959), Lin Pey-Chwen earned a Doctorate of Creative Arts from the University of Wollongong in 1996. Formerly Professor and Director at National Taiwan University of Arts, she now leads the "Lin Pey-Chwen Digital Art Lab." In 2019, she won the First Prize in "New Media Art" at the Florence Biennale in Italy, In 2022, she was named one of Tatler Asia's "Most Influential People," and in 2024 was featured in Tatler Taiwan's "Pioneering Women" interview column.

雷歐納多·馬蒂內利 Leonardo Martinelli

巴西、英國 Brazil, UK / 2023 / 15 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一隻名叫記憶的鳥忘了如何才能回家，跨性別的女性露雅在街頭尋找她的記憶，但這座城市可能處處充滿敵意。

A bird called Memory has forgotten how to come back home. Lua, a trans woman, searches for Memory in the streets, but the city can be a hostile place.

【導演簡介｜DIRECTOR PROFILE】

雷歐納多·馬蒂內利是來自里約熱內盧的電影人，他的作品《霓虹幽靈》在盧卡諾影展獲得國際短片最佳金豹獎。他的短片曾入選世界各地的影展，包括坎城、盧卡諾、多倫多、聖塞巴斯蒂安、英國電影協會倫敦影展、克萊蒙費朗、棕櫚泉、蒙特婁、比亞里茲、圖盧茲等。雷歐納多也擁擁有里約天主教大學的傳播學碩士學位，目前正開發他的第一部劇情長片，該計畫已入選盧卡諾駐村計畫及休伯特·巴爾斯基金。

​Leonardo Martinelli is a filmmaker from Rio de Janeiro. His film Fantasma Neon won the Golden Leopard for Best International Short Film at the Locarno Film Festival. His shorts have been selected at festivals worldwide, including Cannes, Locarno, Toronto, San Sebastián, BFI London, Clermont-Ferrand, Palm Springs, Montreal, Biarritz, Toulouse and others. He also holds a Master's degree in Communication from PUC-Rio and is currently developing his first feature film, which was selected for the Locarno Residency and the Hubert Bals Fund.​

安德烈·隼人·齋藤 André Hayato Saito

巴西 Brazil / 2024 / 15 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

巴西與法國世界盃決賽當天，拒絕家庭傳統的日裔巴西少女艾里卡·荻原遭遇了無形的暴力，陷入了痛苦的情感海洋。

On the day of the World Cup final between Brazil and France, Erika Oguihara, a Japanese-Brazilian teenager who rejects her family traditions, experiences a violence that seems invisible and plunges into a painful sea of emotions.

【導演簡介｜DIRECTOR PROFILE】

安德烈·隼人·齋藤是一位日裔巴西編劇兼導演，其短片作品曾入選坎城影展、多倫多國際影展等影展。最近齋藤攜首部長片加入都靈電影實驗室和多倫多國際電影節電影製作實驗室，並被安大略創意和FocusCoPro等市場選中。

André Hayato Saito is a Japanese-Brazilian scriptwriter and director. His short films were selected by festivals like Cannes, TIFF, and others. Recently, Saito joined Torino Feature Lab and TIFF Filmmaker Lab with his debut feature film, selected by markets like OntarioCreates and FocusCoPro.

霍達·塔赫里 Hoda Taheri

德國 Germany / 2023 / 20 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一對伊朗夫妻將「成為父母」視為留在德國的可能手段，在追求庇護的絕望過程中，生活逐漸陷入不確定與犧牲交織而成的困局。

An Iranian couple clings to motherhood as a possible tool to stay in Germany, unraveling a web of uncertainty and sacrifice in their desperate quest for asylum.

【導演簡介｜DIRECTOR PROFILE】

霍達·塔赫里於1992年出生於伊朗德黑蘭，是一位現居德國柏林的伊朗難民藝術家與電影創作者。

Hoda Taheri, born in Tehran, Iran in 1992, is an Iranian Refugee Artist and Filmmaker based in Berlin, Germany.

劉肇興 Jawshing Arthur Liou

台灣 Taiwan / 2013-2025 / 44 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

人麻三部曲是一項探索人類與大麻之間科學、文化與精神連結的長期創作計畫。Sonnet 27 以腦內類大麻素的研究為靈感，透過史前洞窟、火光與夢境般的意象，暗示人與植物最初的心靈接觸。ASA 取材自日本古代對麻的崇敬，描繪一位中世紀農夫與麻田的生命記憶，探討麻作為宗教媒介的象徵力量。Tracing Green 跨越印度、泰國、阿姆斯特丹與科羅拉多，以紀實與AI生成影像交織出大麻在當代社會的多重樣貌。三部曲穿梭於記憶與幻象之間，思索植物與人類命運的共生關係。

The Human-Cannabis Trilogy explores the profound connections between humans and cannabis from prehistoric encounter to modern complexity. Sonnet 27 visualizes endocannabinoids and memory's shifting terrain; ASA traces Japan's sacred hemp traditions; and Tracing Green journeys through India, Thailand, Amsterdam, and Colorado, weaving science, spirituality, and global culture into a meditation on remembrance, ritual, and the mind's green frontier.

【導演簡介｜DIRECTOR PROFILE】

劉肇興的藝術創作背景橫跨攝影、數位媒體、電影與新聞領域。他的創作旅程曾帶領他走進⻄藏聖山的朝聖之路、日本海嘯重創的海岸線，以及與腦神經科學家合作探索內源性大麻素與記憶之間的微妙聯繫。劉導演的影像與平面作品曾在國際重要藝術機構展出並被收藏，包括東京攝影美術館、水晶橋美國藝術博物館、紐約魯賓博物館、休士頓美術館、芝加哥當代攝影美術館、墨爾本維多利亞國家美術館、首爾市立美術館、北京紅磚美術館、以及沙迦雙年展等。

Jawshing Arthur Liou is an artist with a background in photography, film, and journalism. His recent projects include a pilgrimage in the sacred mountains in Tibet, a journey through the tsunami-ravaged coastline of Japan, and a cinematic collaboration with a brain scientist regarding the connection between endocannabinoids and memory. His work has been featured in museums in Tokyo, New York, Chicago, Melbourne, Seoul, and Beijing.

菲比·哈特、蘇菲·麥金泰爾、弗耐·瓦旦 Phoebe Hart, Sophie McIntyre, Baunay Watan

澳洲、台灣 Australia、Taiwan / 2025 / 43 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

《生成之間：澳洲－台灣原住民藝術交流》是一部由澳洲與台灣合製的43分鐘雙語紀錄片。本片深入探討雙方原住民藝術家為期五年的交流計畫。全片主要於2024年底在台灣拍攝，記錄了藝術家們的首次實體會面；透過訪談、共享創作過程以及共同產出的新作品，展現出跨文化合作的深度與轉化潛力。

"In the Making: An Australia–Taiwan Indigenous Art Exchange" is a 43-minute bilingual documentary co-produced by Australia and Taiwan. It explores a five-year exchange program between Indigenous artists from both regions. Filmed mainly in Taiwan in late 2024, the artists' first in-person meeting reveals the depth and transformative potential of cross-cultural collaboration through interviews, shared creative processes, and the creation of new collaborative artworks.

【導演簡介｜DIRECTOR PROFILE】

蘇菲·麥金泰爾博士與菲比·哈特、弗耐·瓦旦共同執導《生成之間》，並主持片中屢獲殊榮的第一民族交流計畫。她現任昆士蘭科技大學，亦為專精亞太藝術的策展人，尤其臺灣藝術。撰寫著作《想像台灣：藝術在追求台灣認同中的角色》（Brill, 2018）與《姚瑞中》（Scheidegger & Spiess, 2023），策劃展覽逾三十檔，並曾獲多項獎項與研究補助。

Dr. Sophie McIntyre is co-director of In the Making with Phoebe Hart and Baunay Watan, and Project Lead of this long-term, award-winning First Nations exchange which the documentary traces. She is a Senior Lecturer at Queensland University of Technology and a curator specializing in Asia-Pacific art, especially from Taiwan. She is the author of Imagining Taiwan: The Role of Art in Taiwan's Quest for Identity (Brill, 2018) and Yao Jui-chung (Scheidegger & Spiess, 2023), has curated 30+ exhibitions, and received multiple awards and grants.

艾蕾娜·洛佩茲·里艾拉 Elena López Riera

西班牙 Spain / 2018 / 24 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

在西班牙南部有一種五彩塗裝的賽鴿，競賽中獲勝的不是飛得最快的，而是能最多次誘惑母鴿並伴飛在牠身旁的那一隻。《渴望之人》是一部關於這項代代相傳的傳統的電影，同時也描繪圍繞其周遭的社群，一個迷人的男性世界，他們更多是透過姿態、身體與沉默交流，而非語言。這是一部關於男人與鳥、以及他們之間親密卻不可得的關係的電影。

In the south of Spain, a race of colorfully painted pigeons rewards not the fastest one, but the one that has seduced a female pigeon and flown by her side the most times.

Los Que Desean is a film about this tradition, passed down from generation to generation, but also about the community that surrounds it — a fascinating male world that communicates more through gestures, bodies and silences than through words. A film about men and birds, about their intimate and impossible relationships.

【導演簡介｜DIRECTOR PROFILE】

艾蕾娜·洛佩茲·里艾拉在1982年出生於西班牙奧里韋拉，是Lacasinegra團體的共同創辦人。她的第一部短片《村落》於2015年入選康城導演雙週。她最近的兩部作品《內臟》（2016）與《Los que desean》（2018）皆在盧卡諾影展首映，其中《渴望之人》更獲得金豹獎短片單元最佳短片。艾蕾娜的長片企畫《水》入選2018年Ikusmira Berriak計畫以及康城影展電影基金會寫作駐村。

Born in Orihuela (Spain) in 1982, Elena López Riera is co-founder of the collective Lacasinegra. Her first short film, Pueblo, was screened at the Directors’ Fortnight in Cannes in 2015. Her two most recent works, Las Ví Sceras (2016) and Los Que Desean (2018), premiered at the Locarno Film Festival, where the latter won the Pardino d'Oro for Best Short Film. Elena's project El Agua was selected for Ikusmira Berriak 2018 and the Cinéfondation Residency of the Cannes Film Festival.

郭昕盈 Kuo Hsin-Ying

台灣 Taiwan / 2023 / 26 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

少女念念有個不為人知的秘密：那就是她無法像一般人一樣，從鏡中看到自己的樣子！念念只能從母親美華所畫的她，想像自己可能的樣子。

雖然如此，但念念始終渴望能親眼看見自己的模樣。但，念念做得到嗎？本片透過各種媒材呈現關於番茄少女真誠的內心告白與吶喊！

The girl Nian has a secret: she can't see herself, as everybody does! The portrait of her mother Mei-Hung is the only way for Nian to imagine her true look.

However, Nian is still eager to see her own look by herself. But, is it possible? The Tomato Girl represents Nian's journey of her honest confession and inner cry-out composite media.

【導演簡介｜DIRECTOR PROFILE】

郭昕盈畢業於政治大學廣播電視學系碩士班，以紀錄片出發，2016年完成第一支紀錄短片《筑位》，獲得國內外影展獎項、邀映播放；於2018年以複合式媒材創作，完成《番茄少女善感專輯》個人展覽，試圖描述童年記憶。近年來，在意女性與兒少的自我長成過程、創傷經驗與再敘事之可能，企圖運用各種創作語彙與媒材，述說生命本來獨特的樣貌，最近作品為非虛構短片《海都是海》、兒少實境節目《登山總動員》。

Kuo holds a master's degree in Broadcasting and Television from National Chengchi University. Her first short documentary, SHe (2016), screened at domestic and international festivals. In 2018, she presented her solo exhibition The Tomato Girl, using mixed media to revisit childhood memories. Recently, her work focuses on women's and children's self-growth, trauma, and retelling. They could be seen in the experimental shorts such as The Tomato Girl and the children's reality series Having Fun in the Mountains.

水尻自子 Yoriko Mizushiri

法國、日本 France, Japan / 2025 / 10 min / 無字幕 Non-Subtitles

【影片簡介｜PRODUCTION NOTES】

尋常日子日復一日地重複著，而我們不斷重來的每一個瞬間，卻從未相同。

Ordinary life repeats itself every day while the succession of moments that we repeat over and over again is never the same.

【導演簡介｜DIRECTOR PROFILE】

水尻自子1984年出生，動畫創作以身體部位與日常物件為材，營造獨特的觸覺感知。除短片創作外，她亦參與音樂影片、廣告與裝置錄像的製作。其短片作品屢獲國際影展肯定，其中《焦慮的身體》於2021年完成，並入選第74屆坎城影展「導演雙週」單元首映，並斬獲 15 項國際大獎。

Yoriko born in 1984. She creates animations that use body parts and everyday objects as motifs for tactile expression. In addition to making short films, she is also involved in the production of music videos, advertisements, and movies for installations. Her short films have been screened and awarded at festivals worldwide, including Anxious Body, completed in 2021, premiered in the Directors' Fortnight Competition at the 74th Cannes Film Festival and has won 15 international awards.

拉菲克·艾利亞斯 Rafeeq Ellias

印度 India / 2025 / 40 min / 中英字幕 Mandarin/English / 世界首映 World Premiere

【影片簡介｜PRODUCTION NOTES】

在一座夾在理想與衰敗之間的城市裡，三間酒吧各自沿著不同的軌道運行。它們都是妄想構成的小王國，擁有各自的社交宇宙、脆弱的神話，以及充滿表演與偽裝的日常劇場。當彼此的故事開始交織滲透，一幅黑色幽默、出乎意料地溫柔、偶爾又尖銳的拼貼逐漸浮現，揭示塑造我們世界的柔軟虛構。

In a city caught between aspiration and decay, three bars move along their separate orbits. Each a small kingdom of delusion with its own social universe, fragile mythologies, and everyday theatre of performance and pretense. But as their stories begin to bleed into one another, a darkly humorous, unexpectedly tender, and occasionally harsh mosaic emerges, revealing the soft fictions that shape our world.

【導演簡介｜DIRECTOR PROFILE】

拉菲克·艾利亞斯是一位屢獲殊榮的攝影師與電影導演，曾在日本生活與工作多年。他的作品獲得超過40項獎項，包括艾美獎以及BBC紀錄片《胖媽媽傳奇》所獲的亞洲廣播獎。他的電影關注社會歷史、音樂、科技與記憶。近期作品《若我記得沒錯》榮獲最佳攝影及薩蒂亞吉特·雷金獎。他也參與拍攝黃明川的紀錄片《波濤最深處》。他有四部作品曾於嘉義國際藝術紀錄影展放映，包含全球首映。

Rafeeq Ellias is an award-winning photographer and filmmaker who lived and worked in Japan. He has won over 40 awards, including an Emmy and an Asian Broadcast Award for the BBC documentary The Legend of Fat Mama. His films explore social history, music, technology, and memory. His recent film If Memory Serves Me Right won Best Cinematography and the Satyajit Ray Gold Award. He also shot part of Huang Mingchuan's Deepest Uprising. Four of his films screened at the Chiayi International Art Doc Film Festival, including a global premiere.

吳宣佑 Wu Shiuan-Yu

台灣 Taiwan / 2025 / 15 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

呈現臺灣在東亞戰爭機器中的角色，以及防空洞如何從軍事防禦工事，轉化為地方的生活風景。藉著這部紀錄片帶領觀眾走入被忽略的嘉義地景，喚起對歷史場域的重新關注，理解戰爭如何形塑城市結構與居民記憶，同時也反思戰爭的影響，我們離戰爭一點也不遠。

This documentary examines Taiwan's role within the war machinery of East Asia, and how air-raid shelters have transformed from military defense structures into part of the everyday landscape. By guiding audiences through the often-overlooked landscapes of Chiayi, the film calls for renewed attention to historical sites and explores how war has shaped urban structures and collective memory. It also invites reflection on the lasting impact of war, reminding us that war is never as distant as it seems.

【導演簡介｜DIRECTOR PROFILE】

吳宣佑自稱為一個文史控，來自台中，誤打誤撞進入紀錄片的世界而流連忘返。如果紀錄片是一面鏡子的話，他從中看見自己的脆弱與堅強。他希望能夠從大歷史的敘事中，找到那不為人知、未曾被關注過的故事。

Wu Shiuan-Yu describes himself as a history and culture enthusiast from Taichung of Taiwan, who entered the world of documentary filmmaking by chance and never left. He sees documentary filmmaking as a mirror through which both his fragility and strength are revealed. Through Wu's work, he seeks to uncover overlooked and untold stories hidden within grand historical narratives.

龔秋蓉 Gong Qiu-Rong

台灣 Taiwan / 2025 / 12 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

這棟1969年興建的菸酒公賣局員工宿舍，見證了嘉義戰後住宅發展與城市記憶。如今牆面裂痕、水泥破損、老木腐朽、磁磚碎裂、門廳全無；但空間卻仍殘留過往的生活足跡。影片以實驗手法為基底，試圖拼貼一種今昔錯置的視覺敘事，讓過去與當下錯置並存，嘗試一種另類的凝視的語境。

Built in 1969, this former staff quarters of the Taiwan Tobacco and Liquor Corporation bears witness to Chiayi's postwar housing development and urban memory. Today, its walls are cracked, concrete eroded, timber decayed, tiles shattered, and the entrance hall is entirely gone. Yet traces of past daily life still linger. Drawing on experimental methods, the film seeks to construct a visually dislocated narrative in which past and present coexist out of sync, offering an alternative perspective on the act of gazing.

【導演簡介｜DIRECTOR PROFILE】

龔秋蓉取得國立臺灣藝術大學電影系碩士，現為自由影像工作者。短片作品《一步之遙》入圍第53屆金鐘獎；公視電視單元劇《小緯回來過，在他離開之後》2022年首播；文化部短片輔導金《初聲》入選第24屆台北電影節觀摩單元及入圍第46屆金穗獎學生「最佳劇情片獎」；近期電影劇本《山林裡的獸先生Mr.Monster》獲45屆優良電影劇本優選。其作品風格多元，關注女性議題與親情羈絆，忠實呈現故事核心。

Gong holds an MFA from NTUA's Dept. of Motion Picture and is a freelance filmmaker. Her short "The Stranger" was nominated for the 53rd Golden Bell Awards. Her PTS drama "Missing" premiered in 2022. "The Voice," an MOC grant recipient, was an Official Selection of the 24th Taipei Film Festival and nominated at the 46th Golden Harvest Awards. Recently, her screenplay "Mr. Monster" received the Excellent Screenplay Awards. Her work explores women's issues and family bonds, capturing the emotional core of each story.

蔡仲達 Tsai Chung-Ta

台灣 Taiwan / 2025 / 17 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

嘉義的圓環緊扣著常民生活，堆疊出厚實的文化底蘊。邁入「後圓環時代」，青創力量注入，試圖翻轉老城樣貌。從平面交通到立體創生，年輕世代如何為百年圓環與老行業帶來新潮流？本片記錄這場穿越時空的對話，探索新舊交融的可能。最終我們發現，圓環不只是地景，更象徵嘉義人的心，將大家的情感「攏總圈做伙」。

Chiayi's City Center Fountain is deeply embedded in everyday life, layering a rich cultural foundation. In the "post-roundabout era," youth creativity injects new energy to reimagine the old town. From a traffic circle to multidimensional revitalization, how does this new generation bring fresh trends to the century-old landmark and traditional trades? The film captures this dialogue across time, exploring the fusion of old and new. More than a landmark, the fountain symbolizes the heart of Chiayi, where collective memories come full circle.

【導演簡介｜DIRECTOR PROFILE】

蔡仲達導演自小學話劇啟蒙，投身傳播業近三十年。在新作《圓來底嘉》中，他發掘嘉義圓環不僅是噴水池或美食地圖，而是鎖住嘉義人心魂的百年記憶。透過紀錄青創力量為日常帶來的轉變，他看見新舊交融的城市樣貌。拍攝期間，他一次次被堅毅的「嘉義魂」所撼動，試圖以影像傳達對這座城市生命力的臣服與滿足。

Tsai Chung-Ta began storytelling through elementary school plays and has worked in communications for nearly thirty years. In his latest film, It Was Chiayi All Along, he reveals that Chiayi's City Center Fountain is more than a landmark—it holds century-old memories and the city's collective heart. By documenting young entrepreneurs reshaping everyday life, he observes the city's blend of old and new, conveying the resilient "Chiayi spirit" through images filled with reverence and vitality.

胥昌浩 Hsu Chang-Hao

台灣 Taiwan / 2025 / 16 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

魯熟肉不只是味覺記憶，更是三代人交織出的情感與堅持。老闆林順正每日親赴市場挑選食材，遵循父親傳下的手藝，堅持傳統與純粹。徒弟賴雲駿以開放心態探索創新風味，兒子則在實作中慢慢接近父親的標準，努力延續這份家傳滋味。雖有不同觀點，三人始終秉持對料理的熱愛與尊重，攜手守住這家八十年老店的精神與風味。本片透過一日一味的日常，細膩描繪手藝與情感的傳承，也呈現一份味道如何在時間中，穩穩地繼續下去。

Braised Delicacies is more than a flavor—it is a legacy shaped by three generations. Master Lin Shun-Cheng upholds traditional craftsmanship passed down from his father, while his apprentice Lai Yun-Chun brings innovation, and Lin's son works to meet his father's high standards. Though different in outlook, all three of them share deep respect for cooking. The film captures how craftsmanship and love quietly endure in this 80-year-old Chiayi establishment of food flavors.

【導演簡介｜DIRECTOR PROFILE】

胥昌浩曾以導演作品《雨》入選金穗獎、法國克萊蒙費宏短片國際影展，其他短片作品則有《大樓有鬼》、《三點十分》等片，曾入選國內外多個影展肯定。另外公視人生劇展的電視電影《選物家》也在2025年入選獲金鐘獎肯定。

Hsu Chang-Hao's short film "Rain" was selected for the Golden Harvest Awards in Taiwan and the Clermont-Ferrand International Short Film Festival in France. Other works include "Ghost in the Building" and "3:10", which have been featured in numerous domestic and international film festivals. Additionally, the PTS's Life Story series "Claw Back" was nominated for the Golden Bell Awards in 2025.

賴宜汎 Lai Yi-Fan

台灣 Taiwan / 2025 / 14 min / 中英字幕 Mandarin/English / 影展首映 Flim Festival Premiere

【影片簡介｜PRODUCTION NOTES】

在嘉義的溪流間，靜靜躺著的石頭，承載著時間的痕跡與大地的記憶。七十年前，第一代石猴雕刻家詹龍從墓碑雕刻起步，將冰冷的石頭化為有生命的藝術，奠定了嘉義石猴雕刻的基礎。第二代匠人延續傳統，將家族記憶與文化情感融入作品，使石猴成為嘉義的文化符號。 如今，新一代素人藝術家以創意與熱情重新詮釋這項技藝，讓傳統在時代中延續、在創新中重生。石猴雕刻在嘉義持續傳承，見證文化在工藝之間流動的溫度與生命力。

Stones in Chiayi's streams bear the marks of time and the land's memory. Seventy years ago, Zhan Long began carving tombstones, turning cold stone into living art and founding Chiayi's stone monkey tradition. The second-generation sculptor infused family memory and cultural sentiment, making the stone monkey a city symbol. Today, new self-taught artists reinterpret the craft, letting tradition endure and be reborn, bearing witness to the warmth and vitality of culture.

【導演簡介｜DIRECTOR PROFILE】

賴宜汎自2005年起投入影像創作，嘗試過製片、美術與導演等多種角色，每一次轉換都讓她更理解如何用鏡頭說故事，也更加珍惜每個故事的獨特性。喜歡觀察那些看似平凡的時刻，因為那往往是最自然最真實的情感。對宜汎而言，影像是一種陪伴，陪伴人物走過生活，陪伴土地記錄時間，陪伴她在創作中不斷成長。每次創作，都讓她吸收到不同的事物，是理解世界的方式，也是與自己對話的過程。她希望，每一部作品都能留下些什麼，讓人記得。

Lai Yi-Fan has been making films since 2005, taking roles as producer, art director, and director. Each shift deepened her understanding of storytelling and the uniqueness of each story. She observes seemingly mundane moments for their natural, authentic emotions. For her, filmmaking accompanies people through life, marks the passage of time, nurtures her growth, and offers a way to understand the world and engaging in a dialogue with herself. She hopes each work leaves a lasting impression.

朗·萊斯 Ron Rice

美國 USA / 1960 / 58mins min / 無字幕 Non-Subtitles / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

在好萊塢的舊時代，片廠裡會留有這樣一個人：當所有創意來源都失靈時（編劇、導演都想不出點子），就會請他來「臨時變出」可拍的內容，他因此被稱為〝野人〞。《竊花者》正是為了紀念所有在電影特技領域中死去卻無人聞問的〝野人們〞而拼湊完成的。

In the old Hollywood days movie studios would keep a man on the set who, when all other sources of ideas failed by writers, directors, was called upon to 'cook up' something for filming. He was named The Wild Man then. The Flower Thief has been put together in memory of all dead wild men who died unnoticed in the field of stunt.

【導演簡介｜DIRECTOR PROFILE】

朗·萊斯（1935–1964）是美國地下電影的重要導演，以不安定的創作精神與實驗性風格聞名。高中輟學後，他在舊金山以8釐米攝影機開始拍片，並結識泰勒·米德，完成首部作品《竊花者》（1960）。其後拍攝形式複雜、拼貼結構的影片《無感》（1962），投入《示巴女王遇見原子人》（身後由他人完成）及《Chumlum》（1964）的創作。萊斯於同年於墨西哥逝世，留下六部深具影響力的作品。

Ron Rice (1935–1964) was an American underground filmmaker known for his restless spirit and experimental vision. After dropping out of high school, he began filming with an 8mm camera in San Francisco, where he met Taylor Mead and made The Flower Thief (1960). Rice later created Senseless (1962), a formally complex collage film. He worked on The Queen of Sheba Meets the Atom Man (completed posthumously) and finished Chumlum in 1964. Rice died the same year in Mexico, leaving behind six influential films.

朗·萊斯 Ron Rice

美國 USA / 1962 / 28 min min / 無字幕 Non-Subtitles / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

「由一連串如詩般的銳利影像組成，《無意義》表面描繪了一群狂喜的旅人，沉迷於前往墨西哥旅行的幻想與樂趣……精湛的剪輯巧妙地交織出愛與恨、和平與暴力、美與毀滅的對比與呼應。」——大衛·布魯克斯

"Consisting of a poetic stream of razor-sharp images, the overt content of Senseless portrays ecstatic travelers going to pot over the fantasies and pleasures of a trip to Mexico... highly effective cutting subtly interweaves the contrapuntal development of themes of love and hate, peace and violence, beauty and destruction."– David Brooks.

【導演簡介｜DIRECTOR PROFILE】

朗·萊斯（1935–1964）是美國地下電影的重要導演，以不安定的創作精神與實驗性風格聞名。高中輟學後，他在舊金山以8釐米攝影機開始拍片，並結識泰勒·米德，完成首部作品《竊花者》（1960）。其後拍攝形式複雜、拼貼結構的影片《無意義》（1962），投入《示巴女王遇見原子人》（身後由他人完成）及《Chumlum》（1964）的創作。萊斯於同年於墨西哥逝世，留下六部深具影響力的作品。

Ron Rice (1935–1964) was an American underground filmmaker known for his restless spirit and experimental vision. After dropping out of high school, he began filming with an 8mm camera in San Francisco, where he met Taylor Mead and made The Flower Thief (1960). Rice later created Senseless (1962), a formally complex collage film. He worked on The Queen of Sheba Meets the Atom Man (completed posthumously) and finished Chumlum in 1964. Rice died the same year in Mexico, leaving behind six influential films.

朗·萊斯 Ron Rice

美國 USA / 1964 / 26 min min / 無字幕 Non-Subtitles / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

傑克·史密斯、比佛利·格蘭特、瑪利歐·蒙特茲、喬爾·馬克曼、弗朗西斯·弗朗辛、蓋伊·漢森、巴里·泰特斯、澤爾達·尼爾森、傑拉德·馬蘭加都同台演出。本片音樂來自安格斯·麥克萊斯，音效師則是托尼·康拉德。《紐約先驅論壇報》評曰：「宛如一場色彩奔放的怪異夢境……」

With Jack Smith, Beverly Grant, Mario Montez, Joel Markman, Frances Francine, Guy Henson, Barry Titus, Zelda Nelson, Gerard Malanga. Music by Angus McLise and Tony Conrad was the Sound Technician. "It's not unlike a bizarre dream, in riotous color..." New York Herald Tribune.

【導演簡介｜DIRECTOR PROFILE】

朗·萊斯（1935–1964）是美國地下電影的重要導演，以不安定的創作精神與實驗性風格聞名。高中輟學後，他在舊金山以8釐米攝影機開始拍片，並結識泰勒·米德，完成首部作品《竊花者》（1960）。其後拍攝形式複雜、拼貼結構的影片《無感》（1962），投入《示巴女王遇見原子人》（身後由他人完成）及《Chumlum》（1964）的創作。萊斯於同年於墨西哥逝世，留下六部深具影響力的作品。

Ron Rice (1935–1964) was an American underground filmmaker known for his restless spirit and experimental vision. After dropping out of high school, he began filming with an 8mm camera in San Francisco, where he met Taylor Mead and made The Flower Thief (1960). Rice later created Senseless (1962), a formally complex collage film. He worked on The Queen of Sheba Meets the Atom Man (completed posthumously) and finished Chumlum in 1964. Rice died the same year in Mexico, leaving behind six influential films.

托馬斯·馮·史坦艾克 Thomas von Steinaecker

德國、英國、美國 Germany, UK, USA / 2022 / 90 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

《韋納·荷索：激進的夢想家》完整描繪電影史上最神祕的人物之一。透過獨家幕後拍攝，深入荷索的日常生活，並結合珍稀檔案影像與深度訪談，受訪者包括克里斯汀·貝爾、妮可·基嫚與羅伯·派汀森，帶領觀眾一窺這位標誌性藝術家的創作與人生。

Werner Herzog: Radical Dreamer presents a comprehensive portrait of one of cinemas most enigmatic characters. With exclusive behind-the-scenes access into Herzog's everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.

【導演簡介｜DIRECTOR PROFILE】

托馬斯·馮·史坦艾克，1977年出生，現居德國奧格斯堡。其小說、漫畫、紀錄片與廣播劇曾獲多項獎項。創作以紀錄片為大宗，主要聚焦二十世紀音樂，包括卡爾海因茲・史托克豪森、理查·史特勞斯與李奧納德·伯恩斯坦等作曲家的作品。

Thomas von Steinaecker, born in 1977, lives in Augsburg, Germany. He has received numerous awards for his novels, comic books, documentaries and radio plays. A large part of his body of work consists of documentaries in which he focuses mainly on the music of the 20th century, including that of the composers Karlheinz Stockhausen, Richard Strauss and Leonard Bernstein.

瓦萊里奧·奇里亞奇 Valerio Ciriaci

義大利、美國 Italy, USA / 2025 / 90 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

《艾薇拉‧諾塔里：超越靜默》講述義大利首位女性導演的故事，她是那不勒斯默片的先驅，拍攝超過六十部融合流行劇情與街頭生活的影片。因受到法西斯審查壓制，於1930年退出影壇，多數作品隨之失傳。如今，學者與藝術家正重拾她的遺產，紀錄片生動描繪這位電影先驅的視野，仍能引發共鳴。

"Elvira Notari: Beyond Silence" tells the story of Italy's first female director, a pioneer of Neapolitan silent cinema who made over sixty films blending melodrama with street life. Silenced by fascist censorship, she left filmmaking in 1930 and much of her work was lost. Today, scholars and artists are reclaiming her legacy, and the documentary vividly portrays a cinematic pioneer whose vision still resonates.

【導演簡介｜DIRECTOR PROFILE】

瓦萊里奧‧奇里亞奇出生於羅馬。2013年他創立於紐約的製作公司「阿溫影業」，並執導獨立紀錄片、新聞與專題影像，以及其他影像計畫。代表作品包括《如果我能成為那位戰士》（2016年義大利金球獎，於義大利公共電視歷史頻道播出）、《神祕樂園》（人民電影節「小電影院」獎，於義大利公共電視第二台、第三台與美國公共電視播出），及《碎石工》，該片於人民電影節獲榮譽提名與觀眾獎，並已在多家主要電影院與國際文化機構放映超過一百場。

Originally from Rome, Valerio co-founded Awen Films in 2013, a New York production house for independent documentaries, news, and editorial projects. Highlights include If Only I Were That Warrior (Globo d'Oro 2016, aired on Rai Storia); Mister Wonderland ('Il Cinemino' prize at Festival dei Popoli, aired on Rai 2, Rai 3, PBS); and Stonebreakers (Honorable Mention and Audience Award at Festival dei Popoli, screened over 100 times internationally).

荷西·希門尼茲 José Jiménez

智利 Chile / 2025 / 25 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

1980年里卡多・里福曾在智利獨裁統治時期，接受秘密警察中權力最大的女性英格麗・奧爾德羅克指導，學習警犬訓練。40年後，在荒涼破敗、難以生存的景觀中，這名農夫徘徊其間，被無法說出口的恐怖記憶所包圍。

In 1980, Ricardo Rifo was instructed as a dog trainer by Ingrid Olderöck, the most powerful woman of the secret police during the Chilean dictatorship. Four decades later, in the midst of an inhospitable and devastated landscape, the farmer wanders besieged by the impossibility of enunciating the horror.

【導演簡介｜DIRECTOR PROFILE】

紀錄片導演荷西·希門尼茲畢業於法國巴黎第八大學電影創作碩士。延續其近期完成的短片《失語之舌》之研究脈絡，他正發展首部共同執導的劇情長片《外域》預計2026年完成，兩部作品皆獲得智利國家電影製作基金支持。

Documentary filmmaker José Jiménez received Master degree in Film Creation at the Université Paris VIII, France. As part of the same research of his recently finished short film Dead Tongue, he is developing his first co-directed feature film Exterra (2026). Both films are supported by the Chilean national production fund.

弗勒里方丹 Fleuryfontaine

法國 France / 2025 / 15 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

影片循著一顆被監視器拍下彈道的子彈，追蹤其飛行軌跡及主要人物的行動。在結合電腦生成影像技術與電影影像歷史的重構過程中，《67毫秒》質疑法國警政權力的正當性，並對其過度執法提出警告。

In search of a bullet whose trail has been captured on surveillance camera footage, the film follows its trajectory and those of its main protagonists. At the heart of a reconstruction that combines the practice of computer-generated images with the history of the moving image, Sixtyseven Milliseconds questions the legitimacy of policing in France and warns of its excesses.

【導演簡介｜DIRECTOR PROFILE】

加爾德里克·弗勒里與安東萬·方丹兩人畢業於建築系與勒弗雷努瓦國立當代藝術工作室，合組「弗勒里方丹」名稱創作，透過裝置藝術、電影與表演，探討塑造身體與行為的人工環境。其最新作品《67毫秒》曾入選尼翁真實影展、里斯本獨立影展與香榭麗舍影展等。

Graduates in architecture and Le Fresnoy, Galdric Fleury and Antoine Fontaine, known as Fleuryfontaine, examine artificial environments that shape bodies and behavior through installations, films, and performances. Their latest film, Sixty-seven Milliseconds, was selected for Visions du Réel in Nyon, Indie Lisboa and the Champs Élysées Film Festival, among others.

娜達·埃-奧瑪莉 Nada El-Omari

加拿大 Canada / 2025 / 19 min / 無字幕 Non-Subtitles / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

《動量》 由電影製作人的家庭檔案彙編而成，拍攝於2000年的埃及和巴勒斯坦，探討了記憶、地點以及影像的持久力量，見證著過去和現在，即使世界決定向前發展。

Assembled from the filmmaker's family archives, shot in Egypt and Palestine in 2000, Momentum reflects on memory, place and the enduring power of images to bear witness, yesterday and today - even when the world decides to move on.

【導演簡介｜DIRECTOR PROFILE】

娜達·埃-奧瑪莉是巴勒斯坦裔埃及裔的電影製作人與作家，現居加拿大魁北克省蒙特婁。她的創作與研究主要關注代際記憶的傳承、流離失所，以及歸屬感與身份認同的故事，並以詩意且多元的視角加以探索。娜達專注於文本、聲音與影像中的過程與碎片，尋求自我敘事、表達混雜性及自我意識的新方式。她的影片曾在多個影展、Shasha與Tenk平台，以及多家畫廊展映。

Nada El-Omari is a filmmaker and writer of Palestinian and Egyptian origin based in Montreal, Quebec. Her practice and research interests center on the intergenerational transmissions of memories, displacement, and the stories of belonging and identity which she explores through a poetic, hybrid lens. Focusing on process and fragments in text, sound, and image, Nada explores new ways to self-narrate, and speak hybridity and self. Her films have been shown at several festivals, on Shasha and Tenk, and in various galleries.

珊蔓·德雷克 Sam Drake

美國 USA / 2025 / 9 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

零散的紀錄揭露冷戰時期人體輻射實驗的隱秘歷史，在操弄與嵌入式研究的迷霧中浮現。沙漠塵土沉積於齒間，刻寫殘留的痕跡；受污染的影像召喚不可見之物。

Fragmented records reveal a concealed history of Cold War–era human radiation experiments, surfacing through a haze of manipulation and embedded studies. Desert dust settles into teeth, inscribing a residual record. Contaminated images conjure the unseen.

【導演簡介｜DIRECTOR PROFILE】

珊蔓·德雷克是一位電影創作者，作品曾於多個影展與場館放映，包括紐約現代藝術博物館、鹿特丹國際影展、媒體城市影展、動態影像博物館、科蒂桑影展、開放城市紀錄片影展、歐洲媒體藝術節、舊金山CROSSROADS影展、愛丁堡國際影展、反物質影展、非語法實驗影像展，以及首爾國際實驗電影節。她現居密爾瓦基，於威斯康辛大學密爾瓦基分校，任教並負責策展規劃。

Sam Drake is a filmmaker whose work has screened at film festivals and venues including The Museum of Modern Art, International Film Festival Rotterdam, Media City Film Festival, The Museum of the Moving Image, Courtisane Festival, Open City Documentary Festival, European Media Art Festival, CROSSROADS, Edinburgh International Film Festival, Antimatter, Non-Syntax Experimental Image, and EXiS. She currently lives in Milwaukee, where she teaches and programs at the University of Wisconsin-Milwaukee.

歐嘉·博拉茨 Olga Bołądź

波蘭 Poland / 2020 / 29 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

十四歲的愛麗絲意外懷孕。電影從一名孩子的視角出發，講述她逃進想像世界的故事以躲避現實。在那個現實中，醫師不願執行合法人工流產。除了她的母親之外，所有人都反對她的選擇。

Fourteen-year-old Alicja accidentally gets pregnant. The film tells her story from the perspective of a child who escapes into the world of her imagination, fleeing a reality where doctors are unwilling to perform a legal abortion and everyone except her mother is against it.

【導演簡介｜DIRECTOR PROFILE】

知名電影與劇場演員歐嘉·博拉茨畢業於克拉科國立戲劇藝術學院、洛杉磯史黛拉·艾德勒表演學院，以及巴塞隆納戲劇學院。她同時也編劇並執導音樂影片，《愛麗絲與青蛙》為她的首部劇情長片。

A well-known film and theatre actor, Olga Bołądź graduated from the National Academy of Theatre Arts in Krakow, the Stella Adler Academy in Los Angeles and the Institut del Teatre in Barcelona. She also writes screenplays and directs music videos. Alice and The Frog is her feature film debut.

揚·格拉博夫斯基 Jan Grabowski

波蘭、法國 Poland, France / 2025 / 16 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

時間是2194年，數位與實體世界之間的轉移已成為日常。在專門的設施中，為尋求具有人類形體的人工智慧培養身體。於其中一處設施內，相關實體部門的一名官員前來，與一個即將完成轉化的存在展開對話。

The year is 2194. Transfers between the digital and physical worlds are routine. In specialized facilities, bodies are cultivated for artificial intelligences seeking human form. At one such facility, an officer from the Department of Embodiments arrives to speak with a being completing its transformation.

【導演簡介｜DIRECTOR PROFILE】

1994年生的揚·格拉博夫斯基為橫跨電影、視覺藝術與電玩遊戲的敘事創作者。曾就讀捷克布拉格的FAMU，並畢業於波蘭羅茲電影學院。其創作的多部短片於世界各地放映，現任電玩遊戲《巫師》重製版的編劇。

Jan Grabowski(1994) - A storyteller working in film, visual arts, and video games. Studied at FAMU in Prague, Czech Republic, and graduated from the Lodz Film School in Poland. Autor of numerous short films shown around the world. Currently working as a Writer on "The Witcher Remake" video game.

帕維爾·洛津斯基 Pawel Lozinski

波蘭 Poland / 2016 / 81 min / 中英字幕 Mandarin/English / 台灣首映 Taiwan Premiere

【影片簡介｜PRODUCTION NOTES】

「愛」這個詞背後，究竟隱藏著什麼？

兩名女性一起走進了一位心理治療師的諮商室中。

在三人之間展開的親密對話裡，過往的心理創傷與深藏心底的情緒逐漸浮現。治療師引領她們踏上一段艱難卻必要的旅程，朝向更好的關係前進。

What lies hidden behind the word "love"?

Two women meet in a psychotherapist's consulting room.

In an intimate dialogue between these three people, psychological injuries from the past and deeply concealed emotions gradually come to the surface. The therapist takes the women on a difficult journey towards a better relationship.

【導演簡介｜DIRECTOR PROFILE】

帕維爾·洛津斯基是一位波蘭紀錄片導演、攝影師與製片人，畢業於羅茲電影學校導演系。創作了二十多部紀錄片，作品在多個國際影展中屢獲獎項肯定。他擅長拍攝風格鮮明、情感張力強烈的作品，透過親密而細膩的視角，為片中人物描繪出深刻的生命肖像。代表作包括《出生地》、《姊妹》、《化療》、《父與子》、《你不知道我有多愛你》以及《陽台電影》，這些影片以不斷探索新的主題、拓展紀錄片形式的邊界而廣受注目。

Pawel Lozinski is a Polish documentary director, cameraman, and producer. A graduate of the Directing Department at the Film School in Łódź, he is the author of over 20 award-winning documentaries at international festivals. He makes distinct and emotionally charged films about people of whom he draws intimate portraits. Works including Birthplace, Sisters, Chemo, Father and Son, You Have No Idea How Much I Love You, and The Balcony Movie are noted for exploring new themes and pushing the boundaries of the documentary form.

沃伊切赫·斯馬爾佐夫斯基 Wojciech Smarzowski

波蘭 Poland / 2009 / 105 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

1978年，畜牧技師斯羅頓借宿於迪亞巴斯一家位於偏遠地區的農場，雙方建立起的交情卻釀成了悲劇性的後果。1982年正值波蘭戒嚴時期，他回到了同一座農場。這一次，他在警方調查小組的陪同下重返此地，試圖透過重建1978年的犯罪現場，偵破這起牽涉該技師的多重謀殺案。

In 1978 Srodon a zootechnician stays overnight at the remote farm of Dziabas family, developing relationships with tragic consequences. He is back at the same farm in 1982 during Martial Law in Poland. This time he is accompanied by the team of police investigators who try to reconstruct the 1978 crime scene to solve a multiple murder case involving the zootechnician.

【導演簡介｜DIRECTOR PROFILE】

著名波蘭導演與編劇沃伊切赫·斯馬爾佐夫斯基生於1963年，畢業於羅茲國立電影學院。他曾四次獲得波蘭電影學院最佳導演獎。2004年的作品《婚禮》在卡羅維發利國際電影節獲得評審團特別獎。《神父》（2018）尖銳批判波蘭天主教會，打破票房紀錄，三週內吸引了350萬觀眾觀看，約占波蘭總人口的10%。

Famous Polish director and screenwriter, born 1963, Wojciech Smarzowski graduated from the National Film School in Łódź. He won the Polish Academy Award for Best Director four times. His 2004 film The Wedding earned a special jury mention at the Karlovy Vary International Film Festival. Kler (2018), a searing critique of the Polish Catholic Church, broke box-office records, attracting 3.5 million viewers in three weeks—about 10% of Poland's population.

德瑞莎·維吉維多娃 Tereza Vejvodová

捷克共和國 Czech Republic / 2020 / 15 min / 中英字幕 Mandarin/English

【影片簡介｜PRODUCTION NOTES】

描寫一名年輕女子在繁忙的城市中尋找新的住家時，本影片將重心放在聲音與動作的互動，而非傳統的人物對白，藉此測試電影語彙的可能性。此敘事不採用慣常的旁白，而是在特定時刻以風格化的身體動作與富表現力的舞蹈，突然打斷故事的流動。維吉維多娃說：「能迷得住我的是空間本身，還有我們經由空間發現自己的能力，尤其是在我們稱為家的地方，而其週遭正持續與我們自身的認同創造對話。」

A young woman searches for a new apartment in a busy city. The film explores the possibilities of film language by focusing on the interplay of sound and movement rather than classical character dialogue. Instead of traditional narration, it combines stylized movement with expressive dance that interrupts the flow of the story. "What fascinates me is the space itself and our ability to discover ourselves through it, especially the place we can call home. The spaces around us create a constant dialogue with our identity." — T. Vejvodová

【導演簡介｜DIRECTOR PROFILE】

德瑞莎·維吉維多娃是捷克電影導演與視聽藝術家，創作橫跨劇情、紀錄片與實驗短片，作品多於美術館或劇場呈現。畢業於布拉格表演藝術學院電影學院。其創作關注電影語言與視覺藝術、聲音設計，以及哲學或科學原理之間的交會。她的短片經常挑戰傳統敘事形式，聚焦身分認同、心理健康、科技焦慮，以及二十一世紀的情緒氛圍。其創作歷程源於好奇心與直覺，並試圖將電影視為一種多感官、具轉化性且跨領域的媒介來探索。

Tereza Vejvodová is a Czech filmmaker and audiovisual artist working across fiction, documentary, and experimental shorts for galleries and theatre. A graduate of FAMU in Prague, she explores the intersection of film language, visual arts, sound design, and philosophical or scientific ideas. Her films challenge traditional storytelling, focusing on identity, mental health, technological anxiety, and the emotional atmosphere of the 21st century.

德瑞莎·維吉維多娃 Tereza Vejvodová

捷克共和國 Czech Republic / 2023 / 18 min / 無字幕 Non-Subtitles / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

《身影之境》是一部詩意影片，探索人體如同活生生的景觀，帶領觀者感受四季的感官之旅。全片素材取自捷克國家劇院「幻燈魔術劇團」舞台製作的動態場景設計原創影像，捨棄廣角鏡頭，轉而聚焦於肌膚、呼吸、關節與律動等親密細節。每個章節呼應一個季節，映照出生、活力、衰退與寧靜的循環，形成一首關於時間與變化的抽象視覺詩。

Land of Body is a poetic exploration of the human body as a living landscape, tracing a sensory journey through the seasons. Composed entirely of original video fragments created for the kinetic scenography of a stage production by the Czech National Theatre's Laterna Magika, the film avoids wide shots and focuses on intimate details—skin, breath, joints, and movement. Each chapter mirrors a season, reflecting cycles of birth, vitality, decay, and stillness, forming an abstract visual poem on time and transformation.

【導演簡介｜DIRECTOR PROFILE】

德瑞莎·維吉維多娃是捷克電影導演與視聽藝術家，創作橫跨劇情、紀錄片與實驗短片，作品多於美術館或劇場呈現。畢業於布拉格表演藝術學院電影學院。其創作關注電影語言與視覺藝術、聲音設計，以及哲學或科學原理之間的交會。她的短片經常挑戰傳統敘事形式，聚焦身分認同、心理健康、科技焦慮，以及二十一世紀的情緒氛圍。其創作歷程源於好奇心與直覺，並試圖將電影視為一種多感官、具轉化性且跨領域的媒介來探索。

Tereza Vejvodová is a Czech filmmaker and audiovisual artist working across fiction, documentary, and experimental shorts for galleries and theatre. A graduate of FAMU in Prague, she explores the intersection of film language, visual arts, sound design, and philosophical or scientific ideas. Her films challenge traditional storytelling, focusing on identity, mental health, technological anxiety, and the emotional atmosphere of the 21st century.

德瑞莎·維吉維多娃 Tereza Vejvodová

捷克共和國 Czech Republic / 2025 / 15 min / 中英字幕 Mandarin/English / 亞洲首映 Asian premiere

【影片簡介｜PRODUCTION NOTES】

一位孤獨的程式設計師必須走出自己的數位殼，才能發現真正的連結無法被程式化。在他嚴密控制的世界裡，唯一有生命的存在是一隻他細心照料的寵物蝸牛。在他不自覺的情況下，內心運作的幽靈幻象正悄悄形塑著他的生活。當一場意外的程式故障擾亂了他的演算法現實，他被迫直面內心對於人際接觸的壓抑焦慮。一場不可預測的邂逅挑戰了他的生活方式，並證明即便在自動化時代，人與人的親密感依舊無可取代。

A lonely programmer must leave his digital shell to discover that true connection cannot be programmed. In his controlled world, nothing lives except a pet snail he meticulously tends. Beyond his awareness, ghostly representations of his mental processes subtly shape his life. When an unexpected glitch disrupts his algorithmic reality, he must confront repressed anxieties about human contact. An unpredictable encounter challenges his way of life, proving that even in an automated age, human closeness is irreplaceable.

【導演簡介｜DIRECTOR PROFILE】

德瑞莎·維吉維多娃是捷克電影導演與視聽藝術家，創作橫跨劇情、紀錄片與實驗短片，作品多於美術館或劇場呈現。畢業於布拉格表演藝術學院電影學院。其創作關注電影語言與視覺藝術、聲音設計，以及哲學或科學原理之間的交會。她的短片經常挑戰傳統敘事形式，聚焦身分認同、心理健康、科技焦慮，以及二十一世紀的情緒氛圍。其創作歷程源於好奇心與直覺，並試圖將電影視為一種多感官、具轉化性且跨領域的媒介來探索。

Tereza Vejvodová is a Czech filmmaker and audiovisual artist working across fiction, documentary, and experimental shorts for galleries and theatre. A graduate of FAMU in Prague, she explores the intersection of film language, visual arts, sound design, and philosophical or scientific ideas. Her films challenge traditional storytelling, focusing on identity, mental health, technological anxiety, and the emotional atmosphere of the 21st century.